Vol. 11.2

FROM ADAPTATION TO PLURALISM: THE TRANSCULTURAL EVOLUTION OF CHINESE NATIONAL OBOE COMPOSITION (1946–2024) Vol. 11.2

VISUAL AND TEXTUAL SEMIOTICS IN GONGBI PAINTING: A STUDY ON AN INNOVATIVE ART TEACHING MODEL BASED ON MULTIMODAL ANALYSIS Vol. 11.2

A COMPARATIVE STUDY OF THE POEMS OF BEI DAO AND YANG LIAN FROM THE PERSPECTIVE OF “JIN JIANG DAI HU” Vol. 11.2

FEATURES AND INTERPRETATION OF THE COMPLEMENTIZER? AN ‘THAT’ PHRASE IN ARABIC SYNTAX: MINIMALIST VIEWS Vol. 11.2

DIGITAL COMMUNICATION INSIGHTS FROM MUSEUM VISITOR DATA: ASSOCIATION RULE MINING FOR TARGETED ENGAGEMENT Vol. 11.2

IDENTITY NEGOTIATION MECHANISM IN A MULTICULTURAL FIELD: A THREE-DIMENSIONAL FRAMEWORK ANALYSIS BASED ON THE CULTURAL PRACTICE OF CHINESE IN MALAYSIA Vol. 11.2

CREATING A PERCUSSION TEACHING MODULE FOR PRESCHOOLERS IN CHENGDU Vol. 11.2

GRASSROOTS AND STAR IMAGES IN THE CCTV SPRING FESTIVAL GALA: THE RE-PRODUCTION OF NATIONAL IDEOLOGY AND NATIONAL IDENTITY CONSTRUCTION IN THE CONTEXT OF POPULAR CULTURE Vol. 11.2

OPTIMIZING MODULAR PRODUCT-SERVICE SYSTEMS WITH CIRCULAR BIO-WASTE MATERIALS Vol. 11.2

VALUING TANGIBLE ELEMENTS IN HUIZHOU’S WORLD HERITAGE VILLAGES: AN INTEGRATED ASSESSMENT OF LANDSCAPE FEATURES, CULTURAL SIGNIFICANCE, AND COMMUNITY IDENTITY Vol. 11.2