by Dongyu Wang
ABSTRACT
The research results are reflected in: firstly, optimizing warm-up, pattern drilling, and phrase construction sequences in the teaching environment; Anchored by two-stage wrist and scapular coordination training; So it improves the retention of Dunhuang specific arm and torso coupling and reduces style drift; The second is the mapping of cave typology to different stage path logics; The axial route of the central cave of the altar and the circular encirclement around the central pillar cave (45/108 type); Provide support for the information of spatial drama in performances.
